5,229 Royalty-Free Audio Tracks for "Conducted By Arthur Fiedler"

Lydfil fra Ruben-samlingen, "Sjælden penge, prygl des fler" ; akt 1, scene 1, sunget af Peter Schram, ophav Wolfgang Amadeus Mozart, rolle Leporello Sound file from Ruben collection: Leoporello's opening aria "Notte e giorno fatica" from Mozart's Don Giovanni

Piano Concerto No. 2, Op. 18 in C minor for piano and orchestra (13 minutes, then Scriabin Nocturne Op. 9, No. 2)

Georges Bizet: L'Arlésienne Suite Nr. 1, 1. Satz (Ausschnitt) Sinfonie-Orchester des Hessischen Rundfunks, Kurt Schröder (Dirigent) Aufnahme vom 8. September 1948 im großen Sendesaal Eschersheimer Landstraße Georges Bizet: L'Arlésienne Suite no. 1, first movement (excerpt) Frankfurt Radio Symphony, Kurt Schröder (conductor) recording from 8 September 1948 in the Eschersheimer Landstraße broadcasting studio

Sousa's "Hands Across the Sea" performed by the Concert Band of the United States Air Force Band. Track 6 from the band's 2017 album America.

Georg Friedrich Händel: Lascia ch’io pianga

Johannes Brahms: Guten Abend, gut Nacht

The Presidential Polonaise by John Philip Sousa, played by the U.S. Marine Band for the album Semper Fidelis: Music of John Philip Sousa

Italiano: Enrico Caruso canta Pimpinella (registrazione 78 giri)

Mozart; Concerto No. 18 in G-Flat- III. Allegro vivace

Mozart; Piano Concerto No. 26 in D Major, KV 537 "Coronation", 1. Allegro

Bulería con nudillos, 1:00 min Archivo original por Santiago Sánchez Cifuentes. Banco de música flamenca gratuita en YouTube

Recording of music written by Frederic Chopin

Wagner, Die Walkure, Act III, magic sleep music

1909 - Little Nemo selection by Victor Herbert Orchestra

Berlioz Symphonie Fantastique finale, bars 1-4

08Haydn NelsonMass-Sanctus

Mozart - Requiem (Krips) - VI. Recordare

Recording of music written by Frederic Chopin

Haydn from C minor Sonata finale

IMSLP247104-PMLP27022-String Quartet No. 6 in F minor, Op. 80 - II. Allegro assai

Mendelssohn; piano concerto no 1 in G minor 1. Molto allegro con fuoco

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Hector Berlioz - Symphonie fantastique, op. 14 - 1. Rêveries – Passions (Igor Markevitch, Orchestre Lamoureux, 1962)

01. G. H. Everetts - Salt Men

Recording of music written by Frederic Chopin

W. A. Mozart - Requiem, K. 626 (Bruno Walter, Wiener Philharmoniker, Wiener Staatsopernchor, 1956) - 02. Kyrie eleison

04. G. H. Everetts - Night Fishin'

Song by Ustad Qasim Jo.

Into Dreamland by TRG Banks

Song by Ustad Qasim Jo.

Synthesized MIDI rendering of Guillaume Dufay's "Ave Regina", c.1450, Ox. Bod. Can. misc. 213 f.62, after facsimile in W. Apel, The Notation of Polyphonic Music (1960), facs. 26. Created with Lilypond.

Polonez d-moll op. posth. 71 nr 1Polonaise D minor Op. 71 no. 1

Back on the road by TRG Banks

Slavonic Dance, op. 72, No. 2

Hector Berlioz - Symphonie fantastique, op. 14 - 5. Songe d'une nuit du Sabbat (Igor Markevitch, Orchestre Lamoureux, 1962)

05. Patrick Kilpatrick - Your Frigid Politeness

Mahler, Symphony No. 4, fourth movement, bars 25-6

05Haydn NelsonMass-Credo Credo

Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Alexander Scriabin: opus 40.02

Alexander Scriabin: opus 32.01 (Clavinova version optimized for General MIDI)

Dufay - Missa cantus firmus, derived from Se la face ay pale.

Bar 131 to 134 from Grieg's Humoreske op. 6 nr. 4

Ausschnitt aus Joseph Haydns Klaviersonate Hob. XVI/Nr. 8

Alexander Scriabin: opus 25.09

Example of atonal music which avoids octaves, avoids major and minor triads, avoids more than three notes from the same diatonic scale, and avoids conjunct melodies/uses disjunct melodies. From Schoenberg's Klavierstucke, Op. 11, No. 1.

Bars 1–2 from Claude Debussy's Sarabande from Pour le piano. Midi version created by Hyacinth (talk) 20:32, 4 February 2011 (UTC) using Sibelius 5.

Dresdner Amen